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Box Office: 360-373-5152
boxoffice@bctshows.com

Jesus Christ Superstar

Jesus Christ Superstar ✦ Apr. 4 – May 4, 2025

by Tim Rice & Andrew Lloyd Weber

Directed by Rana Teresa Tan

DATES
Apr. 4, 5, 6
Apr. 11, 12, 13
Apr. 18, 19
Apr. 25, 26, 27
May 2, 3, 4

CURTAIN
Fri & Sat: 7:30pm
Sundays: 2:30pm

TICKET PRICES
Adults – $25
Snr/Mil/Tchr – $20
Youth (13-18)/Stu – $15
Children (6-12) – $10

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BOX OFFICE HOURS
2:00pm – 5:00pm | Mar. 27 & 28, Apr. 3 & 4, Apr. 10 & 11, Apr. 17 & 18, Apr. 24 & 25, May 1 & 2
6:00pm – 8:00pm | Apr. 4 & 5, Apr. 11 & 12, Apr. 18 & 19, Apr. 25 & 26, May 2 & 3
1:00pm – 3:00pm | Apr. 6, 13, 27, May 4

The lobby opens 1 hour prior to curtain. The house opens approximately ½ hour prior to curtain. Performances will take place in the The Robert Montgomery Auditorium.

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Jesus Christ Superstar by Tim Rice & Andrew Lloyd Weber
In Jesus Christ Superstar, Tim Rice and Andrew Lloyd Webber take the last week of Jesus Christ's life and transform it into a rock opera spectacle. Seen through the eyes of Judas Iscariot, the musical delves into the personal and political turmoil surrounding Jesus, blending 1970s rock with gospel, folk, and funk. With iconic songs like "Superstar" and "I Don't Know How to Love Him," the show captures the tension, fame, and ultimate betrayal that define this timeless story. It's a bold, energetic, and thought-provoking portrayal of one of history's most famous figures, wrapped in a dazzling musical package.

Content Advisory: The musical features contemporary and sometimes provocative language, but no strong or offensive language. It deals with themes of betrayal, sacrifice, and political unrest, all presented in a dramatic and musical context; some dark humor and irony, particularly in the portrayal of certain characters and situations; includes religious and supernatural themes, focusing on the life and crucifixion of Jesus Christ; mature themes related to betrayal, death, and sacrifice, but they are handled within the context of the story; some depiction of violence, particularly related to the crucifixion, but it is not graphic. Some suggestive situations and innuendos, particularly involving Mary Magdalene, but nothing explicit.

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