Audition Information

Bremerton Community Theatre strives for diversity in all aspects of the theater. Theater artists wishing to join us in our mission to "promote, advance and encourage the art and education of the theatre; to cooperate with other educational and theatrical groups for the advancement of the theatre; to provide a mode of expression to anyone interested in any phase of the theatre; and to provide entertainment to the community" may join us at our forthcoming auditions as listed below. Please check back or join our Facebook Group for updates to this schedule.

Upcoming Auditions

The following performance and audition dates are subject to change. Please check back often to confirm dates and times.

Law & Order: Fairy Tale Unit by Jonathan Rand and directed by Rana Tan. To be performed July 17th at 7PM, July 18th at 2:30PM and 7:00PM, and July 19th at 2:30PM.

BCTjr, Bremerton Community Theatre's youth theater program, will present Law and Order: Fairy Tale Unit for the 2026 Summer Production. YES! It's baaaack! Auditions are June 7th and 8th from 6:30pm to 8:30pm. No monologue is required, and you do not need to attend both auditions to be considered for a role. Performances are July 17th and 18th at 7PM, and July 18th and 19th at 2:30pm. Actors cast in the show must be available for all performances and dress rehearsals. NOTE: We welcome kids from ages 6 to18 to audition, and there is never a fee to take part in BCTjr productions.

What's the show about, you ask?

"In the fairy tale criminal justice system, the characters from fairy tales and nursery rhymes are represented by two separate yet equally ridiculous groups: the fairy tale police who investigate fairy tale crime, and the fairy tale district attorneys who prosecute the fairy tale offenders. These are their stories."

In a land far, far away, we find Detectives Cindy, H.D. and Zelle investigating a fairy tale crime scene of epic proportions: straw and mud everywhere, potential suspects around every corner. Join the fairy tale police as they question the likes of Ugle D, BB Wolf, Muffin Man, Pinocchio, and the Three Blind Mice to unravel a surprising crime committed by seemingly innocent fairy tale characters. Justice will be served! Questions? Please email director Rana Tan at bct.jr@hotmail.com.

Audition Dates
June 7th and 8th from 6:30-8:30PM at Bremerton Community Theatre.

Audition Information
You do not need to prepare a song or monologue, and you do not need to attend both days to be considered for a part. Auditions will be comprised of group activities and readings from the script. Children ages 6-18 are encouraged to participate. Questions? Please email director Rana Tan.

Announcing auditions for our New Directors’ Showcase — a collection of one act plays. The New Directors' Showcase is an exciting platform where emerging directors get the chance to demonstrate their creative talents by directing a one-act play.

This year, we are looking for actors to fill 7 female presenting character roles.

Audition Dates
Tuesday, June 9 and Wednesday, June 10, 2026 at 6:30pm.

Important: Auditions are by appointment only. All actors that are interested in auditioning, please fill out the audition form before June 9th to reserve an audition day/time.

If you cannot make it either day or time listed above please reach out to the producer before June 9th for an alternative audition arrangement.

Performance Dates
August 7th - 16th, 2026
Actors must be available for all performances.
Evening performances: August 7, 8, 14, 15
Matinee performances: August 9, 16

Rehearsal Period
June 11th, 2026 through August 6th, 2026
Rehearsal days/times will be based upon the availability of the actors cast and may consist of weekends and weeknights.

Audition Format
Auditions will consist of cold readings from the script and theatre games.

Show Information
A Ringing of Doorbells by Thornton Wilder and directed by MJ Jordan
A Ringing of Doorbells by Thornton Wilder is a witty, suspenseful one‑act set in 1939 Florida. When a gracious widow welcomes two unexpected visitors—a mother and daughter whose charm hides a secret—the evening turns into a quiet battle of manners, intuition, and truth.

Character Information
Mrs. Beattie (Female presenting character, Stage age: 60+) A gracious upper-middle class widow. Intelligent, composed, and quietly observant. Her calm presence hides sharp intuition and quiet strength.

Mrs. McCullum (Female presenting character, Stage age: 40s-50s) The housekeeper. Morally alert, correct, and constrained by class and position.

Mrs. Kinkaid (Female presenting character, Stage age: 40s-50s) The mother. Pretends to be in the middle-class but actually falls into the lower-middle. Warm on the surface, calculating underneath. A practiced performer who uses politeness as a weapon.

Daphne (Female presenting character, age 18- 30; need to be able to “look” 18 y/o) The daughter. Observant, unfinished, and capable of genuine human response. Caught between ambition and flashes of conscience or doubt.

Show Information
Laundry and Bourbon by James McLure and directed by Sasha Richardson
Laundry and Bourbon is a poignant one-act comedy/dramedy by James McLure set in the sweltering heat of 1970s Texas. It centers on three women sipping bourbon and gossiping on a front porch; it explores the ideas of identity, marriage, and life in a small town.

Character Information
Elizabeth Caulder (Any age, older than the other two): Strong, sensuous woman. Intelligent but underdeveloped. A woman devoid of self pity. A forthright person who would call your bluff.

Hattie Dealing (Any age, younger than Elizabeth): A woman whose bluff needs calling. Blowsy, brassy, used to getting her own way. Mother, wife, talker. Anything that has gone wrong in her life is her husband’s fault.

Amy Lee Fullernoy (Any age, younger than Elizabeth): Bright, sassy, spoiled. Baptist to the teeth. Given to gossip. Life revolves around the country club. An old enemy of Hattie’s.

Black Coffee by Agatha Christie. Directed by Jeffrey Bassett. To be performed Fridays & Saturdays at 7:30pm and Sundays at 2:30pm, August 28 through September 20, 2026.

Black Coffee is a classic Agatha Christie stage play featuring Hercule Poirot, who investigates the murder of physicist Sir Claud Amory. The plot centers on a stolen, deadly formula for an atomic explosive, with suspects including Sir Claud's household, family members, and a mysterious Italian doctor.

Audition Dates
Sunday, June 14 and Monday, June 15, 2026 from 6:30pm–8:30pm at Bremerton Community Theatre.

Audition Information
The director will only be doing cold readings and asks that those auditioning either read the script or at least read up on the play to have some familiarity with it. Due to a shorter rehearsal schedule, those cast will be asked to begin memorization prior to the start of rehearsals. NOTE: English accents are required for all characters except Hercule Poirot, Lucia Armory and Mr. Carelli. Poirot speaks with a Belgian accent. Lucia speaks with an English accent but with a slight Italian trace. Carelli should speak with an Italian accent.

Character List

Hercule Poirot: The renowned Belgian detective. (NOTE: this role is being reprised and is unavailable)
Arthur Hastings: Poirot’s loyal friend and assistant. Age 30-50.
Inspector Japp: The Scotland Yard detective working with Poirot. Age 30 and up.
Sir Claud Amory: A wealthy, reclusive scientist developing a new formula. Age 50 and up. Dies in the first act.
Lucia Amory: Richard’s Italian wife, who holds secrets about her past. Age 20-35.
Richard Amory: Sir Claud's son, struggling with debt. Age 25-40.
Miss Caroline Amory: Sir Claud's older, prudish sister. Age 50 and up.
Barbara Amory: Sir Claud’s niece, described as a "modern young woman". Age 20-40.
Edward Raynor: Sir Claud’s secretary. Age 30-50.
Dr. Carelli: A suspicious Italian guest with ties to Lucia. Age 35-60.
Tredwell: The Butler. This role could be male or female, age 30 and up.

Fiddler on the Roof Based on Sholem Aleichem stories by special permission of Arnold Perl, Book by Joseph Stein, Music by Jerry Bock, Lyrics by Sheldon Harnick. Directed by Rana Teresa Tan.

To be performed Fridays & at 7:30pm, Saturdays at 2:30pm and 7:30pm, and Sundays at 2:30pm, October 30 through November 22, 2026.

Fiddler on the Roof is set in the Pale of Settlement of Imperial Russia in or around 1905. It is based on “Tevye the Dairyman” and other short stories by Sholem Aleichem. The story centers on Tevye, a milkman in the fictional village of Anatevka, who attempts to maintain his Jewish traditions as outside influences encroach upon his family’s lives. He must cope with the strong-willed actions of his three older daughters who wish to marry for love; their choices of husbands are successively less palatable for Tevye. An edict by the Tsar eventually evicts the Jews from their village. Fiddler on the Roof explores the tension between tradition and change, and features many memorable songs and characters, with tremendous opportunities for ensemble actors. The original Broadway production of the show won nine Tony Awards, including best musical, score, book, direction, and choreography.

Audition Dates
Sunday, July 19 and Monday, July 20, 2026 beginning at 6:30pm at Bremerton Community Theatre and are open to actors age 8 and up.

Audition Information
Please arrive before 6:30PM to complete an audition form and be ready to start the audition process promptly at 6:30PM. Auditions will include a brief vocal audition of your choice, one minute or less in length in the Broadway musical style, followed by a dance audition. If time allows, we will sing vocal selections from the show. A pianist will be available during auditions as well as Bluetooth speaker for playing recorded instrumental tracks, however, no a cappella singing will be accepted. Callbacks, if needed, will be held Wednesday, July 22nd at 6:30PM by invitation only. Vocal rehearsals will be held approximately 3 days a week initially, and in general, no Friday or weekend rehearsals are planned with the exception of tech weekend and some Saturday choreography rehearsals. Questions? Please contact the director, Rana Teresa Tan.

Character List
Male roles:

Tevye: Stage Age: 40–60; Vocal Range: Tenor/Baritone (Ab2 – F5). VERY strong actor who must carry the show and have a strong connection to the audience. He is the heart and conscience of Fiddler on the Roof and should be able to believably convey the strong traditions of the Jewish faith.
Motel, The Tailor: Stage Age 18–30, Vocal Range: Strong Tenor (E3 - F#4). Great character role requiring an actor who can show Motel’s sensitive, nervous, but loveable character. Must have good comic timing and the ability to show vulnerability. Songs: Miracle of Miracles (solo), Tradition, Anatevka.
Perchik, The Student: Stage Age Range: 20–35; Vocal Range: Tenor (B2 – E4). Strong acting skills. Actor must show intensity and an unfailing commitment to his radical beliefs. He should be able to hold his own against Tevye as he clashes with him idealistically. He is also likeable, charming and ultimately an accepted part of Tevye’s family.
Fyedka, The Russian Soldier: Stage Age Range: 20–30. Mainly speaking role but may have short solo in “To Life”. Good actor who can use a Russian accent. Gentle with Chava but stands up to Tevye. Strong dancer preferable. Dances a Russian dance in “To Life”.
Lazar Wolfe, The Butcher: Stage Age Range: 40-60; Vocal Range: Baritone (C3 – F#4). Strong, feisty actor with good comic skills.
The Constable: Stage Age Range: 35–60, typically a non-singing role but if a singing actor is cast in this role then the actor will likely double in the ensemble as a villager. Strong character role.
The Rabbi: Stage Age Range: 50–70, any vocal range.
Mendel, The Rabbi’s Son: Stage Age Range: 18–40, ensemble singer (any vocal range).
Mordcha, The Innkeeper: Stage Age Range: 30–65. Small acting role and sings several ensemble songs.
Avram, The Bookseller: Stage Age Range: 30–65, any vocal range.
Russian Soloist in “To Life”: Stage Age Range: 20–50, Vocal Range: Tenor/Strong Soloist.
Ensemble Male Roles: Nachum the Beggar; Yussel the Town Hatter; Russian Priest; Sasha and Boris—Fyedka’s fellow soldiers and his friends.

Female Roles:

Golde, Tevye’s Wife: Stage Age Range: 40–60; Vocal Range: Mezzo/Alto (A3 – Eb5). Strong actor, good comic timing, exudes sarcasm but has a heart of gold.
Tzeitel, Eldest Daughter: Stage Age Range: 18–25; Vocal range: Soprano/Alto (B3 to D5). Strong dramatic actor/good comedic actor. Movement: moves well/dancer.
Hodel, the 2nd Daughter: Stage Age Range: 18–25; Vocal Range: Soprano/Soloist (B3 – E5). Strong dramatic actor. Movement: moves well/dancer
Chava, the 3rd Daughter: Stage Age Range: 16–21; Vocal Range: Soprano/Alto. Strong dramatic actor. Movement: ballet and/or lyrical modern dance training preferred but not absolutely required.
Shprintze, the 4th Daughter: Stage Age Range: 8–14; Vocal Range: Soprano/Alto. Has only a few spoken lines but needs to have good stage presence and reactions and should move well.
Bielke, the Youngest daughter: Stage Age Range 8–10; Vocal Range: Soprano/Alto. Has only a few spoken lines but needs to have good stage presence and reactions and should move well.
Yente, The Matchmaker/Ensemble: Stage Age Range: 45–60; Vocal Range Soprano/Alto (F3 – F5). Strong comedic actor.
Grandma Tzeitel/Ensemble: Stage Age Range: 60–75; Vocal range: Mezzo/Alto (C#4 – D5). Strong actor.
Fruma-Sarah/Ensemble: Stage Age Range: 20–40; Vocal Range: Mezzo/Alto (C4 – Eb5). Strong actor, should move well.

Other Roles:

The Fiddler (May be Male or Female): Stage Age Range: 15-30. Strong actor/reactions in most of Teyve’s scenes, moves well.
Ensemble: comprised of actors of all ages, including some teens and children, who will portray the villagers of Anatevka, as either Mamas, Papas, Sons or Daughters. Also Russian soldiers and featured dancers are required. Smaller speaking roles will be determined during the rehearsal process.
Specialty Dancers: : looking for actors who have experience with ethnic dancing and who can specifically dance “The Bottle Dance”.